Marc Quinn’s Monumental Flowers Invite Us to Replicate Upon Our Evolving Relationship with Nature — Colossal



Artwork
Nature

#flowers
#London
#Marc Quinn
#crops
#public artwork
#sculpture

July 22, 2024

Kate Mothes

Marc Quinn’s Monumental Flowers Invite Us to Replicate Upon Our Evolving Relationship with Nature — Colossal

“Mild into Life (The Evolution of Types)” (2024). All photos © Marc Quinn and RBG Kew, shared with permission

From bronze, chrome, and silicone, Marc Quinn’s larger-than-life botanicals emerge with delicate precision. The exhibition Mild into Life at Royal Botanic Gardens Kew in London continues the artist’s exploration of the boundaries between the pure and synthetic, the dwelling and non-living, sexuality, and the passage of time.

Quinn usually makes use of a mirrored impact to actually replicate humanity in nature whereas blurring the traces between the work and its environment. In others, he emphasizes the heft, historical past, and scale doable with bronze. For instance, “Held by Want (The Dimensions of Freedom)” and “Burning Want” faucet into the metaphorical affiliation of flowers to human biology and anatomy, their titles emphasizing emotional parallels, just like the exact rigidity of a carefully-tended bonsai or the supple petals of a pink, sensual orchid with craving.

Orchids, bonsai, and tropical flowers present the start line for Quinn’s exceptional sculptures that emphasize permanence and in a realm that depends on the alternative: altering seasons, climate patterns, and visiting pollinators. He confronts the ephemerality of blossoms and leaves by casting their likenesses at a monumental scale in metallic, freezing blooms to protect the zenith of their magnificence, or immersing total bouquets in silicone oil to indefinitely maintain their vibrancy.

Mild into Life continues by way of September 29. Discover extra of the artist’s work on his web site.

 

a woman looks up at a larger-than-life bronze sculpture of a bonsai inside a Kew Gardens space

“Held by Want (The Dimensions of Freedom)” (2017-2018). Photograph by Ines Stuart-Davidson

a larger-than-life chrome-coated bronze sculpture of an orchid on a lawn with trees and a classical building in the background

“Mild into Life (Photosynthetic Kind)” (2023)

a monumental bronze sculpture of a red orchid on the lawn of RBG Kew in London

“Burning Want” (2011)

a floral cooler with two bouquets inside, each suspended inside silicone oil to preserve their freshness

“Everlasting Spring (Cultural Evolution)”

a larger-than-life sculpture of an orchid inside a greenhouse, surrounded by tropical plants

“Mild into Life (The Launch of Oxygen)” (2023)

a bouquet of calla lilies in a simple vase, frozen solid inside of a plexiglass case

“Human Nature” (2024)

a woman stands with her back to us, viewing a larger-than-life outdoor sculpture of a tropical flower with numerous long, spiky petals

“Occasion Horizon (Sabal)” (2024). Photograph by Ines Stuart- Davidson

a mirrored sculpture in a green landscape depicting the outline of a Himalayan Mayapple

“Our Botanic Selves, Himalayan Mayapple”

#flowers
#London
#Marc Quinn
#crops
#public artwork
#sculpture

 

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