Bruce Springsteen’s “Born in the USA”: A Timeless Anthem Under Censorship Scrutiny

With the passage of decades since its release, Bruce Springsteen’s “Born in the USA” has maintained its status as a flagship song of the 1980s, resonating deeply with themes of disillusionment and the complex realities of American life. However, this iconic track is once again in the spotlight, as discussions around censorship and sensitivity have led a UK radio station to reconsider how they air the beloved classic.

Why is ‘Born in the USA’ Being Censored?

Reports from The Sun indicate that Absolute Radio will censor a specific phrase from the song when it airs. The lyric in question refers to “the yellow man,” a term now widely regarded as a derogatory reference to Asian individuals. The specific line from the song states: “So they put a rifle in my hands, sent me off to a foreign land, to go and kill the yellow man, Born in the USA.”

This censorship arises from a growing awareness and sensitivity around racial language and its implications. While “Born in the USA” is often superficially interpreted as a patriotic anthem, its true essence critiques the alienation felt by Vietnam War veterans who returned to a country that had turned its back on them.

Historical Context of the Song

Springsteen’s “Born in the USA,” released in 1984, remains one of his most recognizable tracks and has been ranked 275th on Rolling Stone’s list of The 500 Greatest Songs of All Time. The accompanying album has amassed over 30 million sales worldwide, solidifying its place among the best-selling albums ever. Yet, beneath its anthemic chorus lies a poignant narrative addressing themes such as war, race, and disillusionment with the American Dream.

The stark contrast between the song’s upbeat melody and its haunting lyrics has led to various interpretations over the years. While many hear a rallying cry in the chorus, a closer examination reveals a lament for the Vietnam veterans—their struggles and sacrifices often overlooked by society.

A Broader Trend in Radio Practices

This reported censorship isn’t an isolated incident. It mirrors recent decisions by other media outlets, such as BBC Radio 2, which modified the lyrics of the Spice Girls’ hit “Spice Up Your Life” by removing the word “yellow” from “Yellow man in Timbuktu.” These actions spark debates about how older songs should be managed under modern broadcasting standards, particularly as societal definitions of offensive language evolve.

Revisiting the language of past decades raises the complex question of how to honor artistic expression while being cognizant of contemporary sensitivities. Critics argue that altering lyrics can dilute their original artistic intent and truth.

Springsteen’s Recent Reflections

While Springsteen has not directly responded to the radio censorship, he has remained an active figure in popular culture. His recent portrayal by actor Jeremy Allen White in the film “Deliver Me From Nowhere” draws reflections on the musician’s struggle during the making of his 1982 album “Nebraska.” At a New York Film Festival screening, Springsteen humorously noted White for “playing a much better looking version of me.”

In his remarks about his career, Springsteen has emphasized his role as a “musical ambassador,” navigating the distance between American ideals and reality. He articulated a vision of America as a land of hope and dreams, rather than fear or division, further illustrating the struggles that resonate through his music.

FAQs

Why is Absolute Radio censoring the song?

The censorship arises from concerns regarding a lyric that includes a phrase viewed as racially offensive to Asian individuals.

Is ‘Born in the USA’ meant to be patriotic?

No, the song critiques the United States’ treatment of Vietnam veterans upon their return home, rather than functioning as a straightforward patriotic anthem.

The conversations surrounding the censorship of “Born in the USA” highlight broader cultural dialogues about language, race, and the interpretation of art across generations. As our understanding of historical and social contexts evolves, so too does the impact and reception of music that first ignited our consciousness decades ago.